Sulayman al bassam biography of alberta

  • But he is not Saddam, even if the director and adapter of the play, Sulayman Al-Bassam, briefly conceived of him that way.
  • This study explores an area of adaptation studies that has only recently begun to interest scholars: non-Shakespearean Renaissance drama on film and television.
  • Sulaiman Al-Bassam received the Ph.D.

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    -moderated by Catherine Filloux panel: Erik Ehn, Susana Cook, Amparo Garcia-Crow, Barclay Goldsmith, J.T. Rogers, Betty Shamieh; Featuring a performance excerpt from Killing the Boss currently playing at the Cherry Lane Theatre; SUSANA COOK is a playwright/performer/director of political theater from Buenos Aires, Argentina living in New York since 1991. Her current work focuses on parallels between the dictatorship in Argentina and the present U.S. administration. creating powerful political satires that use humor as a tool for exposing the rationales used by those in power to justify oppressions against minorities.Erik Ehn is married ot Patricia Chanteloube. He's a playwright, artistic associate at Theater of Yugen (SF), Dean of the School of Theater at the California Institute of the Arts, and a graduate of New Dramatists.Catherine Filloux is an award-winning playwright who has been writing about genocide, human rights, and social justice for the past twenty years.

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    Selected Bibliography

    "Selected Bibliography". Mapping Islamic Studies: Genealogy, Continuity and Change, edited by Azim Nanji, Berlin, Boston: De Gruyter, 1997, pp. 255-270. https://doi.org/10.1515/9783110811681.255

    (1997). Selected Bibliography. In A. Nanji (Ed.), Mapping Islamic Studies: Genealogy, Continuity and Change (pp. 255-270). Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110811681.255

    1997. Selected Bibliography. In: Nanji, A. ed. Mapping Islamic Studies: Genealogy, Continuity and Change. Berlin, Boston: De Gruyter, pp. 255-270. https://doi.org/10.1515/9783110811681.255

    "Selected Bibliography" In Mapping Islamic Studies: Genealogy, Continuity and Change edited by Azim Nanji, 255-270. Berlin, Boston: De Gruyter, 1997. https://doi.org/10.1515/9783110811681.255

    Selected Bibliography. In: Nanji A (ed.) Mapping Islamic Studies: Genealogy, Continuity and Change. Berlin, Boston: De Gruyter; 1997. p.255-270. https://doi.org/10.1515/9783110811681.255

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  • sulayman al bassam biography of alberta

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    Summer Guide: B.A.M.’s Muslim Richard III

    William Shakespeare’s Richard III opens with the seasonal observation, “Now is the winter of our discontent made glorious summer.” It’s much too soon to predict if this summer—and its teatralisk offerings—will prove at all glorious. But Sulayman Al-Bassam’s provocative play Richard III: An Arab Tragedy will heat up the Brooklyn Academy of Music scen when it opens on June 9.

    Al-Bassam’s Richard III—part of BAM’s Muslim Voices: Arts & Ideas Festival—begins differently from Shakespeare’s: Its first lines are not spoken bygd Richard and don’t concern the weather. Instead, they emerge from the mun of Queen Margaret, a black-robed woman who crosses the scen while thrusting bloodied clothing into a suitcase. “I am Margaret,” she tells the audience. “You needn’t be concerned about me—we lost. It is your right to ignore me. I would ignore myself if my hi