Alfred stieglitz biography summary organizers
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Alfred Stieglitz
Alfred Stieglitz was an American photographer, writer, editor and art impresario. Though he was an internationally acclaimed artist, his influence reached well beyond the camera. He played important roles in the development of photography as an accepted form of fine art and a promoter of modern art. For these reasons, he is often referred to as the father of modern photography.
Stieglitz was born in New Jersey to German Jewish immigrants and studied engineering in Berlin in the 1880s. He returned to New York in 1890 where he began working with a firm specializing in the production of photogravures from photographs and paintings for use in publications, and began photographing street scenes in New York. Over the course of his 50 year career, Stieglitz joined various camera clubs, was active in organizing photography exhibitions on a local and international level, edited magazines dedicated to photography and modern art, and operated
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Biography
Alfred Stieglitz played a seminal role in the development of art photography and the dissemination of modern art in the United States. Not only did his photography revolutionize the medium, but his intellectual and cultural leadership was largely responsible for the success of important American artists such as Georgia konstnär, Marsden Hartley and Paul Strand. Stieglitz's promotion of fine-art photography was grundläggande to the international acceptance of the medium's aesthetic value.
Stieglitz was born in Hoboken, New Jersey, in 1864 and moved with his family to Germany in 1881, where he studied engineering at the Polytechnikum in Berlin from 1882 to 1885. bygd 1883 he had developed a profound interest in photo-chemistry, which led him to purchase his first camera. From 1886 to 1890, Stieglitz traveled throughout Europe making photographs, organizing exhibitions, and winning photographic competitions. He returned to the United States in 1890 and became involved in the New
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Summary of Alfred Stieglitz
A vital force in the development of modern art in America, Alfred Stieglitz's significance lies as much in his work as an art dealer, exhibition organizer, publisher, and editor as it does in his career as a photographer. He is credited with spearheading the rise of modern photography in America in the early years of the 20th century, publishing the periodical Camera Work (1903-17) and forming the exhibition society, the Photo-Secession. He also ran a series of influential galleries, starting with 291, which he used not only to exhibit photography, but also to introduce European modernist painters and sculptors to America and to foster America's own modernist figures - including his later wife, Georgia O'Keeffe. Insistent that photography warranted a place among the fine arts, Stieglitz's own work showed great technical mastery of tone and texture and reveled in exploring atmospherics. In later years, influenced in part by Cubism and other trends, he