Obray ramsey biography of william shakespeare
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Columbia^Spectator W FOVNPE9WTT PAUL STARR Editor - in - Chief LAWRENCE D. LEVIN Business Manager
Games
During the past few weeks, political action on this campus has. been reduced to little more than a tactical game. Hundreds of students, led bygd Students for a Democratic Society, have staged dramatic, militant protests often without clear political ends; the administration has responded to the moves in a narrow, repressive manner. And, while the game fryst vatten played, several legitimate demands which nominally underlie the demonstrations remain unmet. Events on campus yesterday reflect this unfortunate political gamesmanship. At the start of yesterday's protests, students occupying Mathematics and Fayerweather Halls announced that they had taken the action to press for a series of demands. Unfortunately, however, the issues which presumably motivated the protest seem to be secondary to the protest itself. In past weeks, SDS has made little effort to educate or mobilize the campus behind
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The jovial old-time musician who wrote about a makeout king’s backseat exploits in “The Ace,” can no longer drive. The man who sang about the last, long ride of the “Black Smoke Train,” can no longer sing. And the lonesome striver who claimed, “The gleam that’s in my eye is just tomorrow’s enterprise,” in “I’ve Got Plans,” is running out of tomorrows.
Tommy Thompson, 63, original member of the Hollow Rock String Band and founding member of The Red Clay Ramblers, is in the late stages of Alzheimer’s disease. Confined to a bed and fed through a tube, he has lost all sense of time. Robbed of the exquisite personal and musical memories still enjoyed by fans and friends, he waits–in lieu of a medical miracle–for the inevitable physical departure that will follow the loss of his mind.
Coming to terms with Thompson’s illness–which forced him to retire from the Ramblers in 1994–will be the subject of “A Tune for Tommy,” a workshop performance running April 19-29 at Durham’s Manbites
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Astral Weeks: A Secret History of 1968
Ryan H. Walsh’s Landmark Study of the Counter Culture in Boston
By: Charles Giuliano - Mar 12, 2018
The cover of Ryan Walsh's book.
Arguably the first major Boston rock band.
They broke up on the verge of success.
Moulty was drummer for the Barbarians.
The ill fated bands of the Bosstown Sound.
Ultimate Spinach deserved better for MGM records.
A rock concert circa 1968.
The Modern Lovers were part of the next generation of Boston bands. Steve Nelson photo.
Broadside covered folk music.
The publication is being archived by U. Mass Boston.
Kweskin and Lyman on the cover.
The first issue of Avatar with a conservative design by Eben Given.
I designed the I Ching cover for Issue #25 which was confiscated by the Lyman cult.
David Felton's cover story for Rolling Stone.
With Arden Harrison I abandoned NY and relocated to Boston via New Orleans in 1968.
Steve Nelson photographed me in my Murder